HOW TO ORGANIZE A SHOW

Step 1 – The Venue

The organizer/organization bringing Tom in assumes all costs of obtaining and using a venue, sound equipment, engineer.... 

Sound: When sound support is required, it is the sole responsibility of the host to provide. The venue provides the engineer to set up and run the equipment. If there is cost, it is assumed by the venue. It does not come from the performer’s share of the gate if that is how Tom is being paid. If we are using sound support, he requires 2 mics. 3 mics are necessary if he has a back up vocalist, but we will know that well before the show. The sound check should be done before the audience arrives, one to 1 1/2 hrs before the start time. ***Note***: Outdoor concerts require sound support!!! There are birds, dogs barking, cars, lawnmowers, frogs, mosquitos, and the great outdoors that carry sound away. Mosquitoes are very bothersome to the audience and often carry them away.

 

House Concerts: House concerts are a very popular venue and a favorite one of Tom's because of their intimacy. They are often preceded by a potluck, or desserts are offered at intermission, but this isn't necessary. A mid-afternoon concert might be followed by an optional shared meal. The importance of house concerts is that they provide a venue when there is not an established venue available. A house concert is an affordable way for the host or organization to support a musician, and/or gather folks together around a particular cause that aligns with the musician’s offerings. 

       Host responsibilities:

-      Publicity: Tom will draft a poster and/or email for you to send out to your list.

-      Typically, the host will provide overnight accommodations for 1-2 nights, though flexibility for more evenings to help with the gruel of traveling is always welcomed.

-      If your living room has good acoustics, you may not need to provide a sound system, but be prepared to arrange for a small system if you think your space would benefit.  Tom, like most musicians does not travel with his own sound equipment when touring.

-      A couple times, Tom has been asked to play in a venue that had audience members sitting in an adjacent room where they could hear, but not see him. This is not appropriate. Everyone attending must have clear view of the stage.  

-      Light refreshments are always a draw or the ideas mentioned above.

-      Collecting pre-paid donations to the performer c/o you.  If you have limited space, we strongly suggest an RSVP with a pre-pay for the seat. In our experience, people who RSVP but have not committed $$, are often no-shows.  Tom has had house concerts "sell out" with RSVPs who did not attend. That leaves us with empty seats and lost revenue. And frustration from others who wanted to attend, but couldn't  because it was a perceived full house. 

The performer receives “the gate” (all the pre-paid donations) unless other arrangements are made, like a fee for the show. See the booking info...

If there are late RSVP’s who did not have time to send a check, be sure to set up a small table and basket with someone to collect as folks come in the door, referring to a printed list of who has paid and who has not. It is important to get people’s donations as they arrive.  This is standard procedure for a concert.  Your living room is now a professional venue like any theater. But it still maintains its intimacy.

-      Send a reminder a few days before the show to those who have RSVP’d.  You might include parking information.

-      Managing the show: Introduce Tom (there is one below) and explain the format of the evening; ask for an encore if you think that’s what your audience would like.

-      Enjoy the community you have created!

       Performer’s responsibilities:  Tom will work with you on a publicity plan and schedule for the day of the show.  He arrives early to settle in and warm up.  He likes to be ready to meet people as they arrive.  The music is typically offered in 2 45-50 minute sets but can be adjusted for your situation.  He will provide some information so that you are comfortable introducing him.

Conferences and conventions: When Tom is asked to play at conferences and conventions, his registration fee is waived and if not on his route, transportation is provided. When he flies, it is with Southwest because of their instrument policy. His music is often used to start the day, introduce panels and plenaries, close them, close the day, and usually have a time slot to do a set of songs. Please do not schedule him to sing as background or when something else is going on in the room. In the business this is called “throw away music.”

Schools: When he is brought to colleges and high schools for concerts, teachers assign his shows to the curriculum. He has done concerts through collaboration with the following departments: international studies, sociology, anthropology, English, political science, history, economics, music, religious studies, ecology, journalism, linguistics, and education.

In classes, he does a workshop called "Music As Social History." This is also offered as a semester, quarter, or J-Term course. It combines the teaching of social issues with the performing arts. Sometimes students write songs. Sometimes they talk about how to use the arts to present social issues, to include race, class, gender, sexual orientation, media, health, etc.,

Tom has a readers theater piece with music about labor history. It makes a good independent study project at either college or high school levels. It is a very moving and vibrant piece where students take on the roles of historical figures. The speaking roles are interspersed with songs.

The Musicians' Union has educational grants for school programs that are very easy for which to apply.

Children:  Tom occasionally, though very rarely does children’s (pre-teen) shows, but his satire is  not a children’s concert. The themes of his songs can be very sophisticated for a child. There is playfulness with sexuality, although probably nothing a nine year old hasn’t heard, and for younger kids it is over their heads. He has no FCC censored words.”

Children running around are distracting. It is like talking. 

Step 2 – Make sure the coast is clear; Choose the right venue

BEFORE setting the date, it is important to check the calendar to see if any other big events are happening on the dates you are considering, Like Mardi Gras in New Orleans....  Be sure to choose a venue with a clearly defined listening space. Tom avoids bars for this reason, unless they have a designated listening room. Announce the Concert As Soon As It Is Booked

His concerts are interactive with audience participation, and distraction nullifies this connection. Having a quiet space for audience and performer should be a given and understood by all, but it isn’t.

Step 3Publicize, publicize

Once the date is set, it is critical to ANNOUNCE it asap to community groups so that another group does not book a competing activity that same night. It may be the most important thing you do. You need to let people know, as early as possible. You can’t wait until 3-4 weeks before the event. By then, other groups have made plans. The sooner it becomes a community event, the better the turnout will be. The biggest mistake that venues make is that they don't ANNOUNCE the concert early and often!  This is particularly important for fundraisers. The concerts are a great way to have fun, do outreach, build community, and raise money.

If you have a community radio or campus station, odds are they have someone with a program who will play his music and announce the show. We can send CDs to them, the earlier the better. He also regularly does phone interviews. A newspaper interview can double your attendance.

A very effective way to reach people is to

ANNOUNCE

 the concert and/or circulate handbills/posters at other events and meetings preceding our event. Put up posters. Refer people to my website. Coffeehouses have put their menu on the back side of a concert poster. We will send you a sample poster.  Please modify it and send it back to us for review, or develop your own if you have the graphic design skills.  Tom will send it out to his contacts in your area who may not be on your mailing list.

His music can be heard on SoundClick at http://www.soundclick.com/tomneilson.

Groups you should contact include peace and environment groups such as Sierra Club, anti-fracking, anti-incineration, nukes, mountain top removal, Quakers, Unitarians, Humanists, Ethical Society, AAUP, Alliance for Democracy, labor unions, AFSC, Jobs with Justice, Women's International League for Peace and Freedom, Truth Out, Code Pink, Veterans for Peace, United Nations Association, progressive student organizations on college campuses, Raging Grannies, etc.

Most communities have local ministers, imams, rabbis, humanists, etc. and/or congregations with a Peace and Social Justice group.

Professors use his concerts as part of their curriculum and students get credit for attending. If you have college contacts (or high school) it becomes a way of doing outreach by bringing people through the door. 

Step 4 – Financial arrangements

See Booking

Step 5 – Showtime

Tom usually does two 45 minute sets. But it is up to you if you want to lengthen or shorten. An intro helps to start the show. Please have someone who can work the stage to intro the first set and bring him back for the second. It is also important to have someone close the show. Sometimes the audience is clapping for an encore. A performer likes to be brought back by an MC, at least Tom does. He finds it awkward to bring himself back on stage. Especially when a second encore is requested, which has happened.

OPENERS - Please clear with Tom before scheduling an Opening Act. If you do so, he will adjust the length of his show so that the evening doesn't become too long. 

INTRODUCTION

Please keep it short! One MC said this:

       Please remember to turn off your cell phones. And remember that there is no recording or streaming of tonight’s show.         

Tom began performing at the age of three. He has worked and traveled around the world and has performed his music in 22 countries on five continents. Among his many awards, he has received two Song of the Year Awards from Independent Musicians.

In 2017, he received an award from the Arab American Women Association for Global Education Through Performance Art.

In 2015 he was nominated for the United Nations Nelson Mandela Award for Lifetime Achievement in Peace and Justice. 

If you ask him, he will tell you that he is just a farm boy with a guitar who loves a good ball game and human rights.

CONCERT NEEDS 

Setup: Barring transportation snafus, Tom likes to arrive 1½ to 2 hours before the show. He needs a table for CDs and literature. A card table will suffice, but a six foot table is much better, as he has literature, stickers and other paraphernalia. It should be in an area that can be lit and accessible during intermission and after the show.

Stage needs: We know it is not always possible, but is nice to have a quiet room to tune and prepare. Tom needs a chair with a flat surface or small table or stool to put his picks, capos, other props, and a glass of water.

Lodging: Necessary. He is not fussy.  When he is traveling solo, he has a sleeping bag, sheet and pillow. A bed is more than enough. His ole bod can still sleep just about anywhere. No smoking please; cats and dogs ok. Noise at night is un-desirable.  Wi-fi internet access is becoming more necessary as he manages booking activity from the road.

THANK YOU so much for your support! It is you who keeps the music alive and our (we speak for all our road musician friends) gratitude goes out to you. This will be a lot of fun.

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And yes ANNOUNCE the concert today!